randian | 燃点

Yang Mian’s solo exhibition “Yang Mian 2016” will be opened on June 25th at A Thousand Plateaus Art Space. It will exhibit some important art works of the “CMYK series”, including his representative huge piece “CMYK – The Murals in Yongle Palace”, which will be revealed in Chengdu for the first time, and Yang Mian’s latest series focusing on experimental painting materials will be presented as well. >> Read more

Under challenging circumstances, the Moscow Biennale of Contemporary Art opts for a radical format and changes its structure: the Biennale will be condensed into ten days. Artistic, discursive and reflective moments will shape the space. >> Read more

(中文) 燃点对话张乐华：谈论其创作的初衷、理念及背后的故事...... >> Read more

Zhang Lehua is the ultimate epitome of the young Shanghai artists born in the 1980s, who grew up in Shanghai and had practically never travelled far abroad. >> Read more

Chris Gill (b.1970, UK), also known by his Chinese name “Li Yunfei”, has been working in China for 20 years. Chris Gill's first solo exhibition at ShanghART Gallery will present all new works. >> Read more

Preparation for this year's Biennale has been marred by missed deadlines and general lack of organization. The Biennale itself seems to have come together at the very last possible minute. Rebecca Catching goes backstage at the 2012 Shanghai Biennale to shed light on the chaos and confusion inherent in the organization of this massive art event. >> Read more

After a disagreement with Bund 18 Management, former art director of 18 Gallery, Magda Danysz, is opening her gallery in a new creative cluster in Yangpu. >> Read more

Now in his 9th decade, Alex Katz is one of the greatest living artists. Yet Katz remains in a category of his own. We spoke with Katz by telephone about influences, recent shows and the key model for his entire oeuvre, his wife and muse of 60 years, Ada. >> Read more

Galerie Nagel Draxler was founded by Christian Nagel in Cologne in 1990 and operates in Cologne, Berlin and Munich. We are proud to be a gallery that has a history, a present and a future. >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more